1
00:00:02,619 --> 00:00:05,353
<i>♪ WELL, I'M NOT THE
KIND TO KISS AND TELL ♪</i>

2
00:00:05,422 --> 00:00:08,207
<i>♪ BUT I'VE BEEN
SEEN WITH FARRAH ♪</i>

3
00:00:08,275 --> 00:00:10,843
<i>♪ I'VE NEVER BEEN
WITH ANYTHING LESS ♪</i>

4
00:00:10,911 --> 00:00:13,629
<i>♪ THAN A NINE SO FINE ♪</i>

5
00:00:13,697 --> 00:00:16,515
<i>♪ I'VE BEEN ON FIRE
WITH SALLY FIELD ♪</i>

6
00:00:16,584 --> 00:00:19,518
<i>♪ GONE FAST WITH
A GIRL NAMED BO ♪</i>

7
00:00:19,586 --> 00:00:23,672
<i>♪ BUT SOMEHOW THEY
JUST DON'T END UP AS MINE ♪</i>

8
00:00:23,741 --> 00:00:27,426
<i>♪ IT'S A DEATH-DEFYIN'
LIFE I LEAD ♪</i>

9
00:00:27,494 --> 00:00:29,878
<i>♪ I TAKE MY CHANCES ♪</i>

10
00:00:29,946 --> 00:00:33,047
<i>♪ I DIE FOR A LIVIN' IN
THE MOVIES AND TV ♪</i>

11
00:00:34,902 --> 00:00:37,502
<i>♪ BUT THE HARDEST
THING I EVER DO ♪</i>

12
00:00:37,571 --> 00:00:40,905
<i>♪ IS WATCH MY LEADING LADIES ♪</i>

13
00:00:40,958 --> 00:00:45,427
<i>♪ KISS SOME OTHER GUY
WHILE I'M BANDAGIN' MY KNEE ♪</i>

14
00:00:45,496 --> 00:00:48,213
<i>♪ I MIGHT FALL FROM
A TALL BUILDIN' ♪</i>

15
00:00:48,281 --> 00:00:51,283
<i>♪ I MIGHT ROLL A BRAND-NEW CAR ♪</i>

16
00:00:51,352 --> 00:00:53,869
<i>♪ 'CAUSE I'M THE
UNKNOWN STUNTMAN ♪</i>

17
00:00:53,938 --> 00:00:56,904
<i>♪ THAT MADE
REDFORD SUCH A STAR ♪</i>

18
00:00:56,973 --> 00:00:59,975
<i>♪♪</i>

19
00:01:03,514 --> 00:01:06,448
<i>♪ I'VE NEVER SPENT
MUCH TIME IN SCHOOL ♪</i>

20
00:01:06,516 --> 00:01:09,351
<i>♪ BUT I'VE TAUGHT
LADIES PLENTY ♪</i>

21
00:01:09,419 --> 00:01:12,804
<i>♪ IT'S TRUE I HIRE MY
BODY OUT FOR PAY ♪</i>

22
00:01:12,873 --> 00:01:14,556
<i>♪ HEY, HEY ♪</i>

23
00:01:14,624 --> 00:01:17,559
<i>♪ I'VE GOTTEN BURNED
OVER CHERYL TIEGS ♪</i>

24
00:01:17,628 --> 00:01:20,195
<i>♪ BLOWN UP FOR RAQUEL WELCH ♪</i>

25
00:01:20,264 --> 00:01:24,132
<i>♪ BUT WHEN I WIND UP IN
THE HAY, IT'S ONLY HAY ♪</i>

26
00:01:24,201 --> 00:01:25,567
<i>♪ HEY, HEY ♪</i>

27
00:01:25,636 --> 00:01:28,636
<i>♪ I MIGHT JUMP AN
OPEN DRAWBRIDGE ♪</i>

28
00:01:28,705 --> 00:01:30,455
<i>♪ OR TARZAN FROM A VINE ♪</i>

29
00:01:30,523 --> 00:01:32,941
<i>♪ 'CAUSE I'M THE
UNKNOWN STUNTMAN ♪</i>

30
00:01:33,010 --> 00:01:36,678
<i>♪ THAT MAKES EASTWOOD
LOOK SO FINE ♪♪</i>

31
00:01:50,861 --> 00:01:54,128
<i>THIS IS THE STORY OF ONE OF
AMERICA'S GREAT UNSUNG HEROES.</i>

32
00:01:54,197 --> 00:01:57,899
<i>I MEAN, YOU'VE SEEN HIM, BUT
YOU NEVER KNEW WHO HE WAS.</i>

33
00:01:57,968 --> 00:02:00,251
<i>YOU'VE CHEERED FOR
HIM AND CRIED FOR HIM,</i>

34
00:02:00,320 --> 00:02:03,489
<i>WOMEN HAVE WANTED
TO DIE FOR HIM.</i>

35
00:02:03,557 --> 00:02:07,776
<i>BUT DID HE EVER GET ANY
CREDIT? OR THE GIRL? NO.</i>

36
00:02:07,845 --> 00:02:09,861
<i>HE WAS WHAT WE CALL A STUNTMAN.</i>

37
00:02:09,930 --> 00:02:12,614
<i>AND THE REASON I'M TALKIN'
SO FONDLY ABOUT HIM IS...</i>

38
00:02:12,683 --> 00:02:14,800
<i>WELL, BECAUSE IT'S
ME, COLT SEAVERS.</i>

39
00:02:14,868 --> 00:02:18,353
<i>ANYWAY, PICTURE WORK ISN'T
WALL-TO-WALL EMPLOYMENT.</i>

40
00:02:18,422 --> 00:02:22,090
<i>SO MAYBE YOU WONDER HOW A
GUY KEEPS HIS HEAD TOGETHER.</i>

41
00:02:22,158 --> 00:02:24,676
<i>WELL, ONE WAY IS TO
WAIT BY THE PHONE...</i>

42
00:02:24,745 --> 00:02:27,379
<i>AND WAIT... AND WAIT.</i>

43
00:02:27,448 --> 00:02:30,165
<i>THE OTHER IS TO TAKE AN OCCASIONAL
JOB FOR THE COURT SYSTEM...</i>

44
00:02:30,234 --> 00:02:32,333
<i>OF THE UNITED STATES OF AMERICA,</i>

45
00:02:32,402 --> 00:02:35,336
<i>WHERE A MAN IS CONSIDERED
INNOCENT UNTIL PROVEN GUILTY.</i>

46
00:02:35,405 --> 00:02:38,673
<i>UNFORTUNATELY, SOMETIMES
A LOT OF THESE PEOPLE...</i>

47
00:02:38,742 --> 00:02:41,960
<i>GET OUT OF JAIL ON
WHAT WE CALL BAIL.</i>

48
00:02:42,028 --> 00:02:44,663
<i>AND THEY RUN LIKE HELL.</i>

49
00:02:44,732 --> 00:02:47,366
<i>THAT'S WHERE I COME IN. I
SOMETIMES PICK UP RENT MONEY...</i>

50
00:02:47,434 --> 00:02:50,969
<i>TRYIN' TO FIND THEM AND
BRING THEM BACK TO JUSTICE.</i>

51
00:02:51,038 --> 00:02:54,706
<i>BUT TODAY I'M DOING A STUNT THAT'S
GONNA PUT ME AT THE END OF MY ROPE.</i>

52
00:03:03,584 --> 00:03:06,301
<i>FASTER, JODY, FASTER! PUT
THE PEDAL TO THE METAL!</i>

53
00:03:06,387 --> 00:03:09,370
YOU KNOW THIS ISN'T
EXACTLY A FERRARI!

54
00:03:11,075 --> 00:03:13,091
<i>SLOW HER DOWN, KID.
IT'S GOING TOO FAST!</i>

55
00:03:13,160 --> 00:03:15,409
- I'M AFRAID WE'LL STALL, COLT.
- THROTTLE HER DOWN.

56
00:03:15,478 --> 00:03:17,563
OKAY, YOU'RE THE BOSS.

57
00:03:19,283 --> 00:03:21,227
OKAY, A LITTLE MORE.

58
00:03:21,251 --> 00:03:26,187
THAT'S BETTER. COME ON!
COME ON! I CAN ALMOST REACH IT.

59
00:03:26,256 --> 00:03:28,740
- HURRY UP, COLT.
- SLOW IT DOWN, KID!

60
00:03:28,808 --> 00:03:32,044
I'M GOING AS SLOW AS I CAN!

61
00:03:32,112 --> 00:03:36,031
- COLT!
- NOT NOW, JODY! I'VE ALMOST GOT IT.

62
00:03:36,100 --> 00:03:38,066
I GOT IT! I GOT IT!

63
00:03:41,805 --> 00:03:44,572
TAKE IT UP, KID!

64
00:03:44,641 --> 00:03:48,877
- ALL IN GOOD TIME, COLT.
- TAKE IT UP!

65
00:03:48,946 --> 00:03:51,630
<i>WHOA! DON'T WORRY,
COLT. WE'RE GONNA MAKE IT!</i>

66
00:04:00,273 --> 00:04:02,507
KID!

67
00:04:04,144 --> 00:04:06,194
OH, HE'S GONNA KILL ME.

68
00:04:08,682 --> 00:04:10,632
COLT, PLEASE, YOU
GOTTA PROMISE ME...

69
00:04:10,701 --> 00:04:12,633
YOU WON'T TELL A
SOUL ABOUT THIS.

70
00:04:12,702 --> 00:04:16,304
<i>IT'S SO HUMILIATING.</i> LET'S
NOT FORGET PAINFUL AS HELL.

71
00:04:16,373 --> 00:04:20,425
OH, I KNOW IT. BUT I SWEAR,
I'LL MAKE THIS UP TO YOU.

72
00:04:20,493 --> 00:04:24,596
FIND ME A WAY TO MAKE A LIVING FOR THE NEXT
MONTH AND A HALF, AND I'LL BE SATISFIED.

73
00:04:24,665 --> 00:04:27,018
DON'T WORRY ABOUT THAT.
BIG JACK CALLED AND SHE

74
00:04:27,042 --> 00:04:29,267
SAID SHE'S GOT A JOB
THAT'S A PIECE OF CAKE.

75
00:04:29,336 --> 00:04:31,920
I'M WORRIED.

76
00:04:31,988 --> 00:04:34,422
NO. THIS TIME HOWIE'S
ABSOLUTELY RIGHT.

77
00:04:34,491 --> 00:04:36,636
IT'S A SIMPLE PAPERHANGER CASE.

78
00:04:36,660 --> 00:04:38,659
PAPERHANGER?
THAT'S A CHECK FORGER.

79
00:04:38,728 --> 00:04:40,874
<i>SOME YOUNG GUY RAN
BACK TO HIS HOMETOWN...</i>

80
00:04:40,898 --> 00:04:42,964
A SMALL PLACE
CALLED LUCKY, NEVADA.

81
00:04:43,033 --> 00:04:46,968
HIS NAME IS JOHN C. RYDER, AND HE
WAS SEEN NEAR TOWN YESTERDAY.

82
00:04:47,037 --> 00:04:50,638
ALL JODY AND HOWIE HAVE TO DO IS GO
UP THERE, GET HIM AND BRING HIM BACK.

83
00:04:50,707 --> 00:04:54,425
<i>HE IS DEFINITELY A
NONVIOLENT TYPE.</i>

84
00:04:54,494 --> 00:04:56,906
I DON'T KNOW. THEY ALL
START OUT EASY ENOUGH.

85
00:04:56,930 --> 00:05:02,483
COLT, LOOK, I ONLY HAVE THREE DAYS
LEFT ON THIS BOND, THEN I FORFEIT BAIL.

86
00:05:02,552 --> 00:05:05,102
<i>I COULD EVEN LOSE MY
INSURANCE COVERAGE.</i>

87
00:05:05,171 --> 00:05:07,839
I REALLY NEED THEIR HELP.

88
00:05:07,907 --> 00:05:10,208
I DON'T KNOW.

89
00:05:10,277 --> 00:05:15,279
<i>COLT, YOU CAN'T PUNISH ME JUST
BECAUSE YOU HAD SOME STUPID ACCIDENT.</i>

90
00:05:16,933 --> 00:05:22,987
NO, I CAN'T PUNISH YOU
FOR<i> MY</i> STUPID ACCIDENT.

91
00:05:23,056 --> 00:05:27,375
ALL RIGHT, KID, YOU GO, BUT YOU
CALL ME IF YOU GET IN ANY TROUBLE.

92
00:05:27,444 --> 00:05:29,794
- WHAT COULD YOU DO WITH...
- YOU HEARD ME.

93
00:05:29,863 --> 00:05:32,898
I'LL CALL YOU. I'LL CARRY A
QUARTER EVERY PLACE I GO.

94
00:05:32,966 --> 00:05:35,716
PUT YOUR THINGS TOGETHER.
THE KID'S RUNNING THE SHOW.

95
00:05:35,785 --> 00:05:39,854
LOVE YOU, COLT. AND DON'T
WORRY. I'LL KEEP HIM OUT OF TROUBLE.

96
00:05:39,923 --> 00:05:45,060
IRONIC, ISN'T IT, HOW YOUR CLUMSY
ACCIDENT TURNED INTO A "BREAK" FOR HOWIE?

97
00:05:45,129 --> 00:05:49,214
<i>YOU DO A GOOD JOB, HOWIE. SO
YOU KEEP IN TOUCH, ALL RIGHT?</i>

98
00:05:49,282 --> 00:05:52,700
AND YOU, HANDSOME, TAKE CARE OF THAT
LEG. I'LL CALL YOU IN THE NEXT FEW DAYS.

99
00:05:52,769 --> 00:05:54,886
BYE-BYE.

100
00:05:55,955 --> 00:05:57,989
- COLT...
- GO.

101
00:05:58,058 --> 00:06:03,178
I DON'T KNOW HOW
TO SAY THIS, BUT I... GO!

102
00:06:03,247 --> 00:06:05,413
- I HOPE YOUR FOOT FEELS BETTER.
- YOU GET!

103
00:06:16,593 --> 00:06:19,094
KAREN.

104
00:06:19,162 --> 00:06:22,897
NOT IN, HUH? THANK YOU.

105
00:06:22,966 --> 00:06:25,466
LET'S SEE. DONNA.

106
00:06:33,126 --> 00:06:36,610
<i>THAT'S THE GUY WE'RE LOOKING
FOR. HIS NAME'S JOHN C. RYDER.</i>

107
00:06:36,679 --> 00:06:39,047
NOPE.

108
00:06:39,115 --> 00:06:41,783
NOPE WHAT? ISN'T THAT HIS NAME?

109
00:06:41,851 --> 00:06:44,619
OH, THAT'S HIS NAME ALL RIGHT, BUT
HE HASN'T BEEN AROUND FOR MONTHS.

110
00:06:44,688 --> 00:06:46,969
WELL, ARE YOU SURE?
WE HAD A REPORT THAT...

111
00:06:47,024 --> 00:06:50,041
- I MEAN, ISN'T THERE A CHANCE HE, UH...
- NO.

112
00:06:52,178 --> 00:06:55,313
- I GUESS WE'LL HAVE TO NOSE
AROUND A LITTLE ON OUR OWN.
- NO, YOU WON'T.

113
00:06:55,381 --> 00:06:57,224
SHERIFF, THIS IS A WARRANT.

114
00:06:57,248 --> 00:07:00,919
AND THIS IS A TOURIST TOWN.
WE'RE JUST GETTING STARTED.

115
00:07:00,988 --> 00:07:04,605
WE DON'T HAVE A CRIMINAL ELEMENT
HERE. WE DON'T WANT ANYONE SAYING WE DO.

116
00:07:04,674 --> 00:07:08,194
SHERIFF, I THINK IT'S ONLY
FAIR THAT I WARN YOU THAT...

117
00:07:13,816 --> 00:07:17,836
WELL, HOW'S THAT
GONNA WORK, COLT?

118
00:07:17,904 --> 00:07:20,638
ALL RIGHT. ANYTHING YOU SAY.

119
00:07:25,062 --> 00:07:28,429
I UNDERSTAND YOU
DECIDED TO LEAVE TOWN.

120
00:07:28,498 --> 00:07:31,432
YEAH, I THOUGHT YOU'D LIKE TO
KNOW WE'VE BEEN PULLED OFF THE CASE.

121
00:07:31,501 --> 00:07:36,438
- WELL, GOOD.
- THEY'RE SENDING
THE BIG GUY OUT. I'M SORRY.

122
00:07:36,506 --> 00:07:38,923
WHAT DO YOU MEAN YOU'RE SORRY?

123
00:07:38,992 --> 00:07:41,827
I GUESS I SHOULDN'T
SAY ANYTHING.

124
00:07:41,895 --> 00:07:45,012
<i>MAYBE I'M PREJUDICED,
BUT I HATE VIOLENCE.</i>

125
00:07:45,081 --> 00:07:48,916
WAIT A MINUTE. I THINK YOU OUGHT
TO SAY A LOT MORE RIGHT NOW.

126
00:07:52,071 --> 00:07:54,756
YOU'RE GONNA FIND OUT ANYWAY.

127
00:07:58,611 --> 00:08:00,712
COLT SEAVERS IS COMING TO TOWN.

128
00:08:00,780 --> 00:08:03,931
WHO THE HELL IS COLT SEAVERS?

129
00:08:07,771 --> 00:08:09,871
YOU DON'T WANT TO KNOW.

130
00:08:09,940 --> 00:08:14,375
IF HE'S COMING TO MY TOWN I WANT TO
KNOW, AND I WANT TO KNOW RIGHT NOW.

131
00:08:16,212 --> 00:08:19,314
COLT SEAVERS IS THE MOST RUTHLESS
BOUNTY HUNTER IN THE COUNTRY.

132
00:08:19,382 --> 00:08:21,949
<i>HE'S RIGHT. YOU SEE, THE
ORGANIZATION WE WORK FOR...</i>

133
00:08:22,018 --> 00:08:24,986
ONLY SENDS HIM OUT WHEN
THEY WANNA PUSH THE BUTTON.

134
00:08:25,054 --> 00:08:29,690
PUSH THE BUTTON? YEAH,
I'M AFRAID THIS KID RYDER...

135
00:08:29,759 --> 00:08:32,477
HE'S GONE.

136
00:08:32,545 --> 00:08:37,549
ARE YOU TALKING ABOUT SOMEBODY COMING INTO
MY TOWN, TAKING THE LAW IN HIS OWN HANDS?

137
00:08:37,618 --> 00:08:41,035
'CAUSE IF YOU ARE, HE'D BETTER BE
READY FOR A LONG JAIL SENTENCE.

138
00:08:41,104 --> 00:08:45,539
ABSOLUTELY. W-WE'RE ON YOUR SIDE.
THIS GUY SEAVERS SCARES US TO DEATH.

139
00:08:45,608 --> 00:08:49,995
<i>I SAW HIM GO INTO A TOWN AND LEAVE AN
ENTIRE POLICE DEPARTMENT IN SHAMBLES.</i>

140
00:08:50,063 --> 00:08:51,748
<i>AND HE DOES IT LEGALLY.</i>

141
00:08:51,772 --> 00:08:54,916
THAT'S THE CRIME OF
IT. HE KILLS BY THE LAW.

142
00:08:54,985 --> 00:08:58,502
HE KILLS?

143
00:08:58,571 --> 00:09:01,155
WE'LL SEE ABOUT THAT.

144
00:09:01,224 --> 00:09:04,275
HEY, THAT WASN'T SO TOUGH.
WEREN'T WE LAYING IT ON A LITTLE THICK?

145
00:09:04,344 --> 00:09:06,422
THAT'S WHAT COLT
SAID TO DO. WHY?

146
00:09:06,446 --> 00:09:08,879
I DON'T KNOW.

147
00:09:08,948 --> 00:09:12,116
ARE YOU SURE IT'S HIS LEG
HE BROKE AND NOT HIS HEAD?

148
00:09:12,185 --> 00:09:13,087
<i>WE GOT TROUBLE.</i>

149
00:09:13,111 --> 00:09:15,887
WHAT ARE YOU TALKING
ABOUT? WHAT KIND OF TROUBLE?

150
00:09:15,956 --> 00:09:18,467
COLT SEAVERS IS
COMING TO TOWN. <i>♪♪</i>

151
00:09:18,491 --> 00:09:23,678
- WHO?
- SOME KIND OF A HARDCASE,
BIG-TIME BOUNTY HUNTER.

152
00:09:23,746 --> 00:09:26,932
ALL OVER A LITTLE JOHN
RYDER? I DON'T BELIEVE IT.

153
00:09:27,000 --> 00:09:31,303
WELL, I DON'T EITHER. BUT THERE'S
MORE HERE THAN MEETS THE EYE.

154
00:09:31,371 --> 00:09:33,555
MAYBE YOU'RE RIGHT.
WHAT DO WE DO?

155
00:09:33,623 --> 00:09:36,240
YOU LET ME KNOW THE
MINUTE HE SHOWS UP.

156
00:09:36,309 --> 00:09:38,709
<i>♪♪</i>

157
00:09:42,515 --> 00:09:45,066
<i>♪ TO MAKE A LONG STORY SHORT ♪</i>

158
00:09:45,135 --> 00:09:47,969
<i>♪ HONEY, I'M LEAVING ♪</i>

159
00:09:48,038 --> 00:09:50,688
<i>♪ TO MAKE A LONG STORY SHORT ♪</i>

160
00:09:50,757 --> 00:09:54,059
<i>♪ I'M MOVIN' ON ♪</i>

161
00:09:54,127 --> 00:09:57,028
<i>♪ I'M NOT THE SORT
FOR SAD GOOD-BYES ♪</i>

162
00:09:57,097 --> 00:09:59,446
<i>♪ AND DREAMIN' ♪</i>

163
00:09:59,515 --> 00:10:02,317
<i>♪ TO MAKE A LONG STORY SHORT ♪</i>

164
00:10:02,386 --> 00:10:05,520
<i>♪ HONEY, I'M GONE ♪</i>

165
00:10:07,324 --> 00:10:09,391
OH, COLT, ARE YOU ALL RIGHT?

166
00:10:09,459 --> 00:10:11,459
NO.

167
00:10:11,528 --> 00:10:14,629
NOW, THEN, LET'S GET DOWN TO
BUSINESS. COLT, WE CAN'T MAKE A MOVE.

168
00:10:14,697 --> 00:10:17,510
EVEN IF YOUR LEG WAS ALL RIGHT, THE
SHERIFF'S WATCHING EVERYTHING WE DO.

169
00:10:17,534 --> 00:10:20,402
WELL, I DON'T INTEND
TO MAKE A MOVE. WHAT?

170
00:10:20,470 --> 00:10:22,937
I INTEND TO HAVE YOU
TWO MAKE ALL THE MOVES.

171
00:10:23,006 --> 00:10:26,157
COLT, THE SHERIFF'S DOGGING
US LIKE A PAIR OF CRIMINALS.

172
00:10:26,225 --> 00:10:29,627
GOOD. THEN WE GOT HIS ATTENTION.
THAT'S JUST THE BEGINNING.

173
00:10:29,696 --> 00:10:32,597
UH, HOW DOES THAT WORK AGAIN?

174
00:10:32,666 --> 00:10:34,915
WELL, IT'S AN OLD RULE
OF THUMB FOR TRACKING.

175
00:10:34,984 --> 00:10:38,586
LOCALS DON'T OFTEN SIDE WITH
STRANGERS WHEN THEIR OWN ARE IN TROUBLE.

176
00:10:38,655 --> 00:10:41,189
SO WHAT ARE WE GONNA DO?
IT'S THE WHOLE TOWN AGAINST US.

177
00:10:41,258 --> 00:10:44,042
WELL, WE TRY TO GET JOHN
C. RYDER TO COME TO US.

178
00:10:44,111 --> 00:10:48,996
WELL, HOW ARE WE GONNA DO THAT?
MAKING THE LOCAL PEOPLE THINK WE'RE MEAN.

179
00:10:49,065 --> 00:10:53,534
MEAN AS IN TOUGH? NO. MEAN
AS IN OFF-THE-WALL RUTHLESS.

180
00:10:53,603 --> 00:10:56,387
WHISKEY. I DON'T
THINK I UNDERSTAND.

181
00:10:56,456 --> 00:10:58,706
WELL, IT WORKS THIS WAY...

182
00:10:58,775 --> 00:11:00,723
JOHN RYDER IS WANTED
FOR CHECK FORGERY, WHICH

183
00:11:00,747 --> 00:11:02,543
MEANS HE'S BASICALLY
A NONVIOLENT TYPE...

184
00:11:02,612 --> 00:11:05,964
<i>WHO'LL GET ANYTHING FROM A YEAR
TO PROBATION, EVEN IF HE'S CONVICTED.</i>

185
00:11:06,032 --> 00:11:08,332
WE WANT TO MAKE IT CLEAR
TO EVERYONE WE'RE PREPARED...

186
00:11:08,401 --> 00:11:10,969
TO BLAST HIM OUT OF HIS
SOCKS IF HE DECIDES TO RUN.

187
00:11:11,037 --> 00:11:14,138
ISN'T THAT A LITTLE
CRUEL? THANK YOU.

188
00:11:14,207 --> 00:11:16,557
NO. WE DON'T MEAN IT.

189
00:11:16,626 --> 00:11:18,993
LIKE I SAY, GET THE
FOLKS' ATTENTION.

190
00:11:19,061 --> 00:11:21,015
LET 'EM THINK THEY'RE
DOING JOHN A FAVOR BY

191
00:11:21,039 --> 00:11:23,247
TURNING HIM IN OR BY HIM
COMING FORWARD HIMSELF.

192
00:11:23,316 --> 00:11:26,551
- YOU KNOW SOMETHING? THAT'S VERY CLEVER.
- YEAH. YOU BETTER GET MOVIN'.

193
00:11:26,619 --> 00:11:30,204
<i>THE TRICK IS TO KEEP THINGS STIRRED UP.
MOVE AROUND TOWN, ASK A LOT OF QUESTIONS.</i>

194
00:11:30,273 --> 00:11:32,907
SOONER OR LATER,
SOMEBODY'LL TIP OFF SOMETHIN'.

195
00:11:32,976 --> 00:11:35,576
OKAY, WE'RE GONE.

196
00:11:35,645 --> 00:11:38,379
<i>♪ SO TO SAVE US BOTH SOME TIME ♪</i>

197
00:11:38,448 --> 00:11:41,716
<i>♪ GONNA BRING IT
OUT ON THE LINE ♪</i>

198
00:11:41,784 --> 00:11:46,688
<i>♪ COME RIGHT TO IT AND
TELL YOU WHAT I MEAN ♪</i>

199
00:11:46,756 --> 00:11:49,340
<i>♪ TO MAKE A LONG STORY SHORT ♪</i>

200
00:11:49,408 --> 00:11:51,342
<i>♪ HONEY, I'M LEAVING ♪</i>

201
00:11:51,410 --> 00:11:55,529
<i>♪ TO MAKE A LONG STORY SHORT ♪</i>

202
00:11:55,598 --> 00:11:58,249
<i>♪ I'M MOVIN' ON ♪</i>

203
00:11:58,318 --> 00:12:00,785
<i>♪♪</i>

204
00:12:03,056 --> 00:12:06,523
- CAN I HELP YOU, FELLA?
- NO, THANKS.

205
00:12:06,592 --> 00:12:09,505
WELL, YOU'LL HAVE TO COME OUT
OF HERE. THIS IS A PRIVATE ROOM.

206
00:12:09,529 --> 00:12:13,631
- I'LL PAY FOR IT.
- NOW, LOOK, BUDDY.

207
00:12:13,700 --> 00:12:16,083
IS THERE A PROBLEM, NORRIS?

208
00:12:16,152 --> 00:12:19,453
THIS, UH, GENTLEMAN
WOULD LIKE TO TALK TO YOU.

209
00:12:19,522 --> 00:12:21,556
WHAT CAN I DO FOR YOU? UH, WAIT.

210
00:12:21,624 --> 00:12:24,592
BEFORE HE GOES,
UH, I MIGHT OUGHTA...

211
00:12:27,797 --> 00:12:31,682
CHECK THIS IN, SO AS
NOT TO ALARM ANYBODY.

212
00:12:33,386 --> 00:12:36,165
IT'S LOADED, MR. MANNING.
<i>OF COURSE IT'S LOADED.</i>

213
00:12:36,189 --> 00:12:38,306
CAN'T SHOOT ANYBODY
WITH AN EMPTY GUN.

214
00:12:38,375 --> 00:12:40,608
NOW, JUST WHO ARE YOU, MISTER?

215
00:12:40,677 --> 00:12:45,663
NOW THAT'S A FAIR QUESTION. UH,
SEAVERS IS THE NAME. COLT SEAVERS.

216
00:12:45,732 --> 00:12:47,815
WORK FOR THE COURTS,
LOS ANGELES COUNTY.

217
00:12:47,884 --> 00:12:49,917
WHAT BRINGS YOU
TO LUCKY, NEVADA?

218
00:12:49,986 --> 00:12:52,771
<i>THERE'S PLENTY OF TIME TO DO
MY WORK. RIGHT NOW I WAS HOPING...</i>

219
00:12:52,839 --> 00:12:55,289
TO GET INTO A NICE,
HIGH-STAKES GAME OF POKER.

220
00:12:55,358 --> 00:12:57,391
UH-HUH.

221
00:12:57,460 --> 00:13:01,563
WELL, YOU'RE A DAY EARLY FOR
OUR USUAL HIGH-STAKE GAME,

222
00:13:01,631 --> 00:13:05,016
<i>BUT I SUPPOSE I COULD
MAKE A FEW PHONE CALLS.</i>

223
00:13:05,085 --> 00:13:07,668
NOTHING LIKE FRESH
MONEY TO MAKE A CROWD.

224
00:13:07,737 --> 00:13:11,805
WELL, THANK YOU. I,
UH, APPRECIATE THAT.

225
00:13:13,343 --> 00:13:17,444
AND, UH, I PROBABLY WON'T
BE USING THAT GUN TONIGHT,

226
00:13:17,513 --> 00:13:20,681
UNLESS I GET, UH, REAL LUCKY.

227
00:13:23,152 --> 00:13:26,220
NORRIS, I WANT YOU TO
GET THE SHERIFF. YES, SIR.

228
00:13:32,995 --> 00:13:35,079
YOU'RE ON, JODY.

229
00:13:51,097 --> 00:13:54,449
NOW THAT'S HARASSMENT,
PLAIN AND SIMPLE. LET'S BUST 'EM.

230
00:13:54,517 --> 00:13:57,885
<i>I DON'T KNOW. THE OLD BOY
SEEMS TO BE KIND OF ENJOYING IT.</i>

231
00:13:57,954 --> 00:14:00,421
WOULDN'T MIND
TALKING TO HER MYSELF.

232
00:14:20,643 --> 00:14:24,312
RED JACK ON BLACK QUEEN.

233
00:14:24,380 --> 00:14:28,482
WELL, UH, DARNED IF YOU AREN'T
RIGHT. THANK YOU VERY MUCH.

234
00:14:28,551 --> 00:14:31,185
I LIKE TO PLAY THE GAME MYSELF.

235
00:14:31,254 --> 00:14:33,721
MY WIFE, MOSTLY
SHE LIKES TELEVISION.

236
00:14:35,625 --> 00:14:37,925
MM-HMM. HMM.

237
00:14:37,994 --> 00:14:40,995
SHERIFF BAKER'S THE NAME.

238
00:14:41,064 --> 00:14:44,231
OH, NICE TO MEET YOU, SHERIFF.
UH, SEAVERS. COLT SEAVERS.

239
00:14:45,468 --> 00:14:48,836
I KNOW. YOU HAVEN'T
BEEN HERE AN HOUR,

240
00:14:48,905 --> 00:14:52,373
AND YOU'RE THE TALK
OF THE WHOLE TOWN.

241
00:14:52,441 --> 00:14:55,393
SORRY TO HEAR THAT. KIND
OF MAKES MY JOB A LOT HARDER.

242
00:14:55,461 --> 00:14:59,297
OH? AND WHAT IS YOUR JOB?

243
00:14:59,365 --> 00:15:03,701
PRETTY MUCH LIKE YOURS, SHERIFF. I
HELP BRING PEOPLE BACK TO JUSTICE.

244
00:15:03,769 --> 00:15:07,067
WELL, SINCE THIS IS MY
TOWN, I'D SURE APPRECIATE

245
00:15:07,091 --> 00:15:09,790
KNOWING WHO YOU'RE
BRINGING TO JUSTICE.

246
00:15:09,859 --> 00:15:11,925
YOU'RE RIGHT.

247
00:15:21,821 --> 00:15:24,738
"JOHN RYDER, CHECK FORGERY."

248
00:15:24,807 --> 00:15:27,725
- YOU KNOW HIM?
- TO TELL YOU THE TRUTH, I DO.

249
00:15:27,794 --> 00:15:29,994
HE'S THE SON OF A
VERY IMPORTANT PERSON.

250
00:15:30,029 --> 00:15:32,997
I HEARD THAT HE JUST
MIGHT BE BACK IN THIS AREA.

251
00:15:33,066 --> 00:15:36,651
IF HE WAS, I'D KNOW IT. AND THAT'S
WHAT I TOLD A COUPLE OF YOUNG FOLK...

252
00:15:36,719 --> 00:15:39,470
THAT WERE IN TOWN AHEAD
OF YOU LOOKING FOR JOHN.

253
00:15:39,538 --> 00:15:43,123
HE'S NOT IN TOWN. I'D
APPRECIATE IT IF YOU MOVED ON.

254
00:15:45,995 --> 00:15:48,796
I'M SORRY, SHERIFF.
I CAN'T DO THAT.

255
00:15:48,864 --> 00:15:51,732
AND IF ANYBODY STOPS ME,
I CALL IN THE STATE POLICE.

256
00:15:51,801 --> 00:15:54,786
OH, MY, MY, MY.

257
00:15:54,854 --> 00:15:57,804
YOU DO DRAW THE
BATTLE LINES, DON'T YOU?

258
00:15:57,873 --> 00:16:03,093
- IT CAN ALL BE AVOIDED, OR, UH...
- OR WHAT?

259
00:16:03,162 --> 00:16:08,082
OR IT'S SHOOT FIRST AND ASK QUESTIONS
LATER WHEN I DO FIND JOHN RYDER.

260
00:16:10,870 --> 00:16:13,153
A WORD OF WARNING, MR. SEAVERS.

261
00:16:13,222 --> 00:16:18,992
<i>SOMEBODY HERE'S LIABLE TO
GET SHOT, BUT IT ISN'T JOHN RYDER.</i>

262
00:16:25,101 --> 00:16:27,452
<i>GEORGE MANNING ON LINE ONE.</i>

263
00:16:27,520 --> 00:16:30,822
PUT HIM ON. HELLO, GEORGE.

264
00:16:30,890 --> 00:16:33,191
IT'S HAPPENED.

265
00:16:33,259 --> 00:16:35,209
GEORGE, IF I WEREN'T
UP TO MY NECK IN

266
00:16:35,233 --> 00:16:37,795
BOOKKEEPING, I'D BE AT
HOME WITH A TALL MARTINI.

267
00:16:37,863 --> 00:16:41,315
- I DON'T HAVE TIME FOR RIDDLES.
- FINE. YOU WANT TO SEE
EVERYTHING GO DOWN THE DRAIN?

268
00:16:41,383 --> 00:16:43,634
YOU JUST SIT THERE AND
WORRY ABOUT YOUR BOOKS.

269
00:16:43,703 --> 00:16:48,022
- WHAT THE HELL ARE
YOU TALKING ABOUT?
- COLT SEAVERS IS IN TOWN.

270
00:16:48,091 --> 00:16:51,476
- WHO?
- A BIG-TIME BOUNTY HUNTER.

271
00:16:51,544 --> 00:16:53,956
SO? SO HE'S LOOKING
FOR YOUR SON.

272
00:16:53,980 --> 00:16:56,330
GEORGE, MY SON'S PERFECTLY SAFE.

273
00:16:56,398 --> 00:16:58,432
YOUR SON IS A TIME BOMB.

274
00:16:59,986 --> 00:17:03,488
LOOK, I DON'T LIKE THE
TONE OF THIS CONVERSATION.

275
00:17:03,556 --> 00:17:08,226
MY SON HASN'T DONE ANYTHING TO
JUSTIFY A BIG-TIME BOUNTY HUNTER.

276
00:17:08,294 --> 00:17:11,646
SO STOP WORRYING.
SOMEONE'S PLAYING GAMES.

277
00:17:11,714 --> 00:17:15,149
EXACTLY. THEY'RE NOT
LOOKIN' FOR YOUR SON AT ALL.

278
00:17:15,217 --> 00:17:18,218
WE ALL KNOW WHAT
THEY'RE LOOKING FOR,

279
00:17:18,287 --> 00:17:21,756
<i>AND YOUR SON
PROBABLY TIPPED 'EM OFF.</i>

280
00:17:24,226 --> 00:17:28,595
LISTEN, GEORGE, I'M GOING
TO PRETEND I DIDN'T HEAR THAT.

281
00:17:28,664 --> 00:17:32,767
NOW YOU BETTER GET HOLD OF
YOURSELF. IN LESS THAN TWO DAYS,

282
00:17:32,835 --> 00:17:35,436
THE STATUTE OF LIMITATIONS IS
GONNA RUN OUT ON THE WHOLE THING.

283
00:17:35,505 --> 00:17:38,506
AND THEN WE'RE GONNA BE IN
GREEN FOR THE REST OF OUR LIVES.

284
00:17:38,574 --> 00:17:40,858
WALTER, I HOPE YOU'RE RIGHT.

285
00:17:40,927 --> 00:17:44,429
BUT YOU GOT TO ADMIT, THIS
GUY SHOWING UP HERE NOW...

286
00:17:44,497 --> 00:17:47,715
AFTER ALL THESE YEARS IS
A PRETTY BIG COINCIDENCE.

287
00:17:47,783 --> 00:17:52,903
ALL RIGHT, GEORGE. THERE'S
NO POINT IN TAKING ANY CHANCES.

288
00:17:52,972 --> 00:17:55,523
WHY DON'T YOU GET THE SHERIFF
AND COME RIGHT OVER HERE?

289
00:17:58,828 --> 00:18:00,894
<i>♪♪</i>

290
00:18:00,963 --> 00:18:04,732
UH, THAT'LL BE 22.80.

291
00:18:04,801 --> 00:18:08,068
YOU WOULDN'T KNOW A FRIEND A MINE,
WOULD YOU? A FELLOW NAMED JOHN RYDER?

292
00:18:08,137 --> 00:18:11,989
- JOHN'S A FRIEND OF YOURS?
- WELL, LET'S SAY HE WAS,
BACK UP IN L.A.

293
00:18:12,057 --> 00:18:16,460
- I THOUGHT I'D LOOK HIM UP.
- AFRAID YOU CAME A LONG WAY
FOR NOTHIN'.

294
00:18:16,529 --> 00:18:18,545
DOES THAT MEAN YOU
DON'T KNOW WHERE HE IS?

295
00:18:18,614 --> 00:18:21,566
WELL, I KNOW WHERE HE
IS, BUT YOU CAN'T GET THERE.

296
00:18:21,634 --> 00:18:24,151
WHY IS THAT?

297
00:18:24,220 --> 00:18:28,956
THAT'S 90, 23, 24, 25.

298
00:18:29,025 --> 00:18:31,392
NOBODY GETS IN OR OUT
OF THE GORDON ESTATE.

299
00:18:31,460 --> 00:18:35,462
- WELL, HOW COME?
- WELL, I REALLY DON'T KNOW,
AND I KNOW BETTER THAN TO ASK.

300
00:18:37,299 --> 00:18:39,550
BE SEEIN' YOU NOW.

301
00:18:45,975 --> 00:18:49,427
WHAT ELSE DID HE SAY? JUST
THAT HE WANTED TO FIND YOU.

302
00:18:49,495 --> 00:18:52,597
- DID YOU GET A LICENSE NUMBER?
- OH, YOU BET YOU, JOHN.

303
00:18:52,665 --> 00:18:55,985
HE WAS DRIVIN' A JIMMY TRUCK WITH
CALIFORNIA PLATES THAT SAID "FALL GUY."

304
00:18:56,051 --> 00:18:58,291
"FALL GUY"? WHAT'S
THAT SUPPOSED TO MEAN?

305
00:18:58,354 --> 00:19:02,507
HELL IF I KNOW. LOOK,
JOHN, IF YOU NEED ANY HELP...

306
00:19:02,575 --> 00:19:06,326
NO. LISTEN, YOU
STAY OUT OF THIS.

307
00:19:06,395 --> 00:19:10,297
YOU KNOW YOU CAN'T GET MIXED UP WITH MY
OLD MAN AND HIS FRIENDS... NOT AND SURVIVE.

308
00:19:10,366 --> 00:19:13,951
I KNOW IT, JOHN, BUT I JUST CAN'T
STAND TO SEE WHAT'S HAPPENIN' TO YOU.

309
00:19:14,019 --> 00:19:16,064
YOU'RE LIKE A PRISONER
OUT THERE ON THAT RANCH.

310
00:19:16,088 --> 00:19:19,440
- I CAN HANDLE IT.
- ANY CHANCE WE CAN GET TOGETHER
FOR A BEER TONIGHT?

311
00:19:19,508 --> 00:19:22,693
THERE'S SOMEBODY WHO'D
SURE LIKE TO SEE YOU.

312
00:19:22,761 --> 00:19:26,830
NO. I CAN'T SEE HER YET, DEKE...

313
00:19:26,899 --> 00:19:29,252
NOT UNTIL I CAN FIGURE
OUT WHAT TO DO... FIGURE

314
00:19:29,276 --> 00:19:31,552
OUT SOME WAY TO GET
HER OUT OF HERE FOR GOOD.

315
00:19:31,621 --> 00:19:34,488
HEY, DEKE? YEAH, JOHN.

316
00:19:34,556 --> 00:19:37,207
THANKS.

317
00:19:37,276 --> 00:19:39,877
YOU'RE ONE OF THE FEW
DECENT ONES LEFT AROUND HERE.

318
00:19:39,946 --> 00:19:42,028
I WON'T FORGET YOU.

319
00:19:43,365 --> 00:19:46,199
TAKE CARE, EH?

320
00:20:11,260 --> 00:20:14,678
YOU'VE RUINED THEM...
EVERY ONE OF 'EM.

321
00:20:14,747 --> 00:20:18,616
<i>THERE ISN'T ONE OF 'EM WORTH SAVING
ANYMORE, AND YOU'RE RESPONSIBLE.</i>

322
00:20:28,994 --> 00:20:32,013
I SHOULD HAVE DONE
THIS SIX YEARS AGO.

323
00:20:32,081 --> 00:20:34,465
HOLD IT, MR. RYDER!

324
00:20:40,422 --> 00:20:42,923
INTERESTED IN BEATING THE ODDS?

325
00:20:44,460 --> 00:20:48,045
WHY DON'T YOU TRY SOME
BLACKJACK? I'M COMING ON.

326
00:20:56,555 --> 00:20:59,256
YOU'RE HOT. THANKS TO YOU.

327
00:20:59,325 --> 00:21:01,775
A MAN BRINGS HIS OWN LUCK.

328
00:21:01,844 --> 00:21:04,728
HELPS WHEN SOMEONE
IS DEALING SECONDS.

329
00:21:04,797 --> 00:21:08,416
♪♪ MR. SEAVERS, GET OUT OF TOWN.

330
00:21:08,484 --> 00:21:12,152
THAT MAY BE THE SEXIEST
THREAT I'VE EVER HEARD.

331
00:21:16,158 --> 00:21:19,393
MAKE THAT THE SINCEREST THREAT.

332
00:21:19,461 --> 00:21:23,147
YOU, UH, REALLY THAT WORRIED ABOUT
ME THIS EARLY IN OUR RELATIONSHIP?

333
00:21:23,215 --> 00:21:25,566
YOU HAVE NO IDEA.

334
00:21:25,634 --> 00:21:29,803
CAN YOU GIVE ME A HINT OF WHAT IT
WAS ABOUT ME THAT GOT YOU THIS UPSET?

335
00:21:29,872 --> 00:21:33,273
THE FACT THAT YOU WANT TO KILL THE
NICEST PERSON ON THE FACE OF THIS EARTH.

336
00:21:33,342 --> 00:21:36,259
JOHN RYDER.

337
00:21:38,063 --> 00:21:41,999
LOOK, MR. SEAVERS, PLEASE
LEAVE. I'LL LET YOU WIN ALL YOU WANT.

338
00:21:42,067 --> 00:21:44,100
HMM, THAT'S A FIRING OFFENSE.

339
00:21:44,169 --> 00:21:48,622
THEY CAN'T FIRE ME. MY
FATHER'S ONE OF THEM.

340
00:21:48,690 --> 00:21:50,724
ONE OF WHAT?

341
00:21:52,077 --> 00:21:54,156
HAVE YOU EVER HEARD
OF THE GORDON ESTATE?

342
00:21:54,180 --> 00:21:56,480
NO. SHOULD I HAVE?

343
00:21:56,548 --> 00:22:00,050
WELL, MR. GORDON OWNS THIS
TOWN, ALONG WITH MY FATHER,

344
00:22:00,119 --> 00:22:03,120
THE OWNER OF THIS
CASINO, THE SHERIFF...

345
00:22:15,384 --> 00:22:17,717
WELL, MR. SEAVERS,
YOU'RE IN LUCK.

346
00:22:17,787 --> 00:22:21,354
THIS IS WALTER FARR, OUR
TOWN'S LEADING BANKER.

347
00:22:21,423 --> 00:22:25,492
JUST ABOUT AS FINE A POKER
PLAYER AS THERE IS, NEXT TO ME.

348
00:22:25,561 --> 00:22:28,478
AND THIS IS WENDLE TURLOCK,
OUR TOWN'S BEST DOCTOR.

349
00:22:28,548 --> 00:22:30,597
THE ONLY DOCTOR. DR. TURLOCK.

350
00:22:31,750 --> 00:22:34,652
HOW YOU DOING, HONEY?

351
00:22:34,720 --> 00:22:36,920
WELL, LET'S PLAY POKER.

352
00:22:36,989 --> 00:22:39,873
UH, WE COULD USE ONE MORE.

353
00:22:39,942 --> 00:22:43,110
WHAT ABOUT THIS GORDON
FELLOW THAT I KEEP HEARING ABOUT?

354
00:22:44,963 --> 00:22:48,482
WELL, MR. GORDON ISN'T
VERY MUCH OF A GAMBLER.

355
00:22:48,551 --> 00:22:53,286
BUT DON'T WORRY. YOU'LL HAVE
YOURSELF ONE HELL OF A GAME, MR. SEAVERS.

356
00:22:54,807 --> 00:22:56,907
NORRIS, CASH HIM OUT.

357
00:23:06,618 --> 00:23:09,587
OH, HOWIE, LOOK.

358
00:23:09,655 --> 00:23:12,790
<i>NO WONDER THERE'S NOTHING ELSE
OUT HERE. IT TAKES UP THE WHOLE VALLEY.</i>

359
00:23:12,858 --> 00:23:16,176
WELL, ONE THING'S FOR SURE. WE'RE NOT
GONNA FIND HIM GOING IN THE FRONT DOOR.

360
00:23:16,245 --> 00:23:18,678
WE'D BETTER FIND SOME OTHER WAY.

361
00:23:34,463 --> 00:23:36,430
HOWIE, LOOK OUT!

362
00:23:38,484 --> 00:23:41,634
WE'RE DEFINITELY ON GORDON'S
PROPERTY NOW. HANG ON!

363
00:23:49,845 --> 00:23:53,497
- <i>HOWIE, WE'RE TRAPPED!</i>
- YOU UNDERESTIMATE ME.

364
00:24:00,539 --> 00:24:02,989
WATCH THIS, KID.

365
00:24:35,657 --> 00:24:37,708
HEY!

366
00:24:42,848 --> 00:24:44,848
<i>LOOK OUT!</i>

367
00:24:58,614 --> 00:25:01,348
WE GOTTA HELP 'EM.

368
00:25:13,412 --> 00:25:16,313
JODY? JODY, ARE YOU OKAY?

369
00:25:22,955 --> 00:25:25,422
WELL, AT LEAST
<i>WE'RE</i> IN ONE PIECE.

370
00:25:25,490 --> 00:25:30,027
YEAH. I GUESS YOU'RE RIGHT.

371
00:25:30,096 --> 00:25:34,714
THE QUESTION IS, WHY IS EVERYBODY
GETTING SO WORKED UP OVER A CHECK FORGER?

372
00:25:40,573 --> 00:25:44,675
YOU PLAY A PRETTY MEAN
GAME OF POKER, MR. SEAVERS.

373
00:25:44,743 --> 00:25:47,705
YOU EVER CONSIDER PROFESSIONAL
GAMBLING OVER BOUNTY HUNTING?

374
00:25:47,729 --> 00:25:50,447
NO. I LIKE TO KILL TOO MUCH.

375
00:25:52,000 --> 00:25:54,868
YOU'RE NOT SERIOUS?

376
00:25:54,936 --> 00:25:57,288
WELL, IF HE IS, I
DON'T FIND IT AMUSING.

377
00:25:57,356 --> 00:26:00,874
NEITHER DO I, MR. MANNING.
I LOVE THE LAW.

378
00:26:00,943 --> 00:26:04,945
I SEE PEOPLE TAKE ADVANTAGE, I
JUST WANNA GUN 'EM DOWN LIKE DOGS.

379
00:26:05,014 --> 00:26:10,183
WELL, MR. SEAVERS, THE LAW
IS SUBJECT TO INTERPRETATION.

380
00:26:10,252 --> 00:26:13,754
ONE MAN'S JUSTICE IS OFTEN
ANOTHER MAN'S INJUSTICE.

381
00:26:13,822 --> 00:26:15,856
- ARE YOU A COMMIE?
- OH.

382
00:26:15,924 --> 00:26:18,942
- IS HE A COMMIE?
- UH, SEE HERE, SEAVERS.

383
00:26:19,010 --> 00:26:21,111
I THINK YOU'RE TAKING
THINGS A LITTLE TOO FAR.

384
00:26:21,179 --> 00:26:24,865
GENTLEMEN, GENTLEMEN.
THIS IS GETTING US NOWHERE.

385
00:26:24,933 --> 00:26:26,933
WE WERE PLAYING POKER.

386
00:26:27,002 --> 00:26:31,088
DEAL, AND ANTE UP.

387
00:26:31,157 --> 00:26:35,893
WHAT DO YOU MAKE FROM A
CASE SUCH AS THIS, MR. SEAVERS?

388
00:26:35,962 --> 00:26:42,066
OH, $5,000 BRINGING JOHN RYDER
BACK TO LOS ANGELES, DEAD OR ALIVE.

389
00:26:42,134 --> 00:26:45,469
WHAT IF YOU WERE TO EARN AT
LEAST THAT MUCH IN A POKER GAME?

390
00:26:45,537 --> 00:26:48,788
<i>WOULDN'T IT BE NICE TO AVOID THE
HASSLE OF TRYING TO TRACK DOWN...</i>

391
00:26:48,857 --> 00:26:52,659
A MERE BOY WHO MADE A MISTAKE?

392
00:26:52,728 --> 00:26:54,895
YOU SURE MAKE A GOOD POINT.

393
00:26:54,963 --> 00:26:58,682
YOUR BET, SHERIFF.

394
00:27:23,008 --> 00:27:25,441
THERE'S RAZOR
WIRE ON THIS FENCE.

395
00:27:25,510 --> 00:27:29,546
WHAT COULD BE GOING ON AT A RANCH WAY OUT
HERE THAT'D DESERVE THIS KIND OF SECURITY?

396
00:27:29,614 --> 00:27:31,561
I DON'T KNOW. BUT IF
YOU'RE WORRIED ABOUT

397
00:27:31,585 --> 00:27:33,700
THE RAZOR WIRE, I GOT
MORE BAD NEWS FOR YOU.

398
00:27:33,769 --> 00:27:35,936
WHAT IS IT? I THINK
IT'S ELECTRIFIED.

399
00:27:36,004 --> 00:27:38,335
IT'S NOT ELECTRIFIED.
IF IT WERE ELECTRIFIED,

400
00:27:38,359 --> 00:27:40,190
IT WOULD HAVE
THOSE LITTLE WHITE...

401
00:27:40,258 --> 00:27:43,861
THEY DON'T USE THOSE ANYMORE. HOW
DO YOU KNOW ABOUT ELECTRIC FENCES?

402
00:27:43,929 --> 00:27:46,680
YOU FORGET I'VE BEEN WORKING WITH
COLT A LITTLE BIT LONGER THAN YOU.

403
00:27:46,749 --> 00:27:49,716
YEAH, WELL, THE NEXT TIME, FEEL FREE
TO PULL RANK A LITTLE SOONER, OKAY?

404
00:27:49,785 --> 00:27:53,153
YEAH. HOW ARE WE GONNA
GET INTO THIS PLACE?

405
00:27:53,222 --> 00:27:55,889
WELL, WE BETTER GO BACK TO
THE TRUCK AND GET THE ROPES.

406
00:27:55,958 --> 00:27:57,991
IT'S A TWO-MILE HIKE
BACK TO THE TRUCK.

407
00:27:58,060 --> 00:28:00,744
YEAH, AND IT'S A LOT OF
VOLTAGE WE GOTTA CLIMB OVER.

408
00:28:00,812 --> 00:28:02,829
OH, MAN, THERE'S
GOTTA BE AN EASIER WAY.

409
00:28:02,898 --> 00:28:05,744
COME ON. THERE'S NOTHING LIKE A GOOD
HIKE TO BUILD CHARACTER. CHARACTER?

410
00:28:05,768 --> 00:28:08,602
I'M GONNA BE ABRAHAM
LINCOLN BEFORE THIS DAY'S OUT.

411
00:28:15,727 --> 00:28:18,729
I CALL.

412
00:28:18,798 --> 00:28:21,165
FULL HOUSE. ACES AND NINES.

413
00:28:21,233 --> 00:28:23,233
BEATS MY FLUSH. ME TOO.

414
00:28:23,302 --> 00:28:28,038
I'M TAPPED OUT. SORRY, GENTLEMEN.
FOUR BEAUTIFUL LITTLE LADIES.

415
00:28:28,107 --> 00:28:32,409
BOY. THAT'S AN
AMAZING RUN OF LUCK.

416
00:28:32,477 --> 00:28:37,531
IT APPEARS THAT YOU HAVE
$12,000 IN FRONT OF YOU.

417
00:28:37,599 --> 00:28:41,218
YOU'VE MADE AS MUCH AS YOU WOULD HAVE
MADE HUNTING FOR THAT NO-ACCOUNT KID.

418
00:28:41,287 --> 00:28:43,287
NOW I GUESS YOU'LL
BE HEADING OUT NOW.

419
00:28:43,355 --> 00:28:46,072
WELL, IT WAS NICE
MEETING YOU, MR. SEAVERS.

420
00:28:46,141 --> 00:28:48,175
THANK YOU VERY MUCH.

421
00:28:48,243 --> 00:28:50,911
GIVE HIM HIS GUN BACK, NORRIS.

422
00:28:50,979 --> 00:28:53,680
WELL, THANK YOU.
THAT'LL BE ALL, NORRIS.

423
00:28:55,017 --> 00:28:57,050
GOOD-BYE, MR. SEAVERS.

424
00:28:57,119 --> 00:28:59,970
I DON'T SEE ME GOING ANYPLACE.

425
00:29:00,038 --> 00:29:04,108
FORGET ABOUT JOHN RYDER. HE ISN'T WORTH
THE AGGRAVATION THAT WE CAN GIVE YOU.

426
00:29:04,176 --> 00:29:07,210
YOU LEAVE PEACEFULLY, OR I'M
GONNA RUN YOU OUT OF TOWN.

427
00:29:07,279 --> 00:29:10,680
- IS THERE A THREAT
IN THERE SOMEWHERE?
- YOU BET THERE'S A...

428
00:29:13,886 --> 00:29:16,767
I'VE PLAYED A LOT OF
POKER. THIS IS THE FIRST

429
00:29:16,791 --> 00:29:19,373
TIME I'VE EVER SEEN
A WINNER PULL A GUN.

430
00:29:19,441 --> 00:29:23,276
YEAH, WELL, IT'S THE FIRST TIME THAT
I'VE EVER SEEN ANYBODY CHEAT TO LOSE.

431
00:29:23,345 --> 00:29:26,547
NOW, WHY IS IT YOU FELLAS ARE
LETTIN' ME WIN ALL THIS MONEY, HUH?

432
00:29:34,056 --> 00:29:38,258
WHAT DO YOU THINK,
JODY? LOOKS SECURE TO ME.

433
00:29:38,326 --> 00:29:40,911
YOU BETTER LET ME GO FIRST,
SEE IF IT'LL TEST MY WEIGHT.

434
00:29:40,979 --> 00:29:43,246
FORGET IT. I CAN'T
LET YOU DO THAT.

435
00:29:43,315 --> 00:29:45,381
OKAY.

436
00:29:50,089 --> 00:29:54,924
- HOWIE, ARE YOU ALL RIGHT?
- I'M FINE. OH!

437
00:29:54,993 --> 00:29:58,311
- WHAT'D YOU SAY?
- I SAID GET READY.

438
00:29:58,380 --> 00:30:01,231
- THE ROPE'S COMING UP.
- OH, OKAY.

439
00:30:17,432 --> 00:30:21,034
WELL, THAT WAS EASY
ENOUGH. NOW WHAT?

440
00:30:21,103 --> 00:30:23,837
NOW WE MOVE OUT AND FIND JOHN.

441
00:30:25,023 --> 00:30:28,692
MR. SEAVERS,

442
00:30:28,760 --> 00:30:31,372
THE FOUR OF US AND MOST
OF THE FOLKS IN THIS TOWN...

443
00:30:31,396 --> 00:30:36,883
HAVE WORKED HARD FOR SIX YEARS TO RESTORE
THE BEAUTY AND ELEGANCE OF LUCKY, NEVADA.

444
00:30:36,952 --> 00:30:39,486
I'D SAY YOU'VE DONE
A HELL OF A JOB.

445
00:30:39,555 --> 00:30:41,871
WELL, THANK YOU VERY
MUCH. THE POINT IS...

446
00:30:41,940 --> 00:30:45,353
THAT WE'RE STILL A LONG WAY FROM THE
TOURIST ATTRACTION WE HAVE YET TO BECOME.

447
00:30:45,377 --> 00:30:48,312
WE HAVE THE HEALTHIEST
CLIMATE, THE FINEST WATER...

448
00:30:48,380 --> 00:30:50,964
AND THE FINEST HOSPITALITY
OF ANY CITY IN NEVADA.

449
00:30:51,033 --> 00:30:54,317
IT'S JUST THAT WHAT WE DON'T
NEED IS A BAD REPUTATION.

450
00:30:54,386 --> 00:30:58,421
VERY WELL COULD EARN IF A BOUNTY
HUNTER LIKE YOU CAME INTO TOWN...

451
00:30:58,490 --> 00:31:04,361
AND SUDDENLY STARTS SHOOTING
THINGS UP BECAUSE OF A... A CHECK FORGER.

452
00:31:04,429 --> 00:31:08,098
WELL, WHY IS IT ALL YOU BIG COWBOYS
ARE TAKING SUCH AN INTEREST...

453
00:31:08,167 --> 00:31:12,236
IN THIS LITTLE BITTY FELLA THAT
ALL I WANT TO SEE IS STAND TRIAL?

454
00:31:14,940 --> 00:31:16,923
WELL,

455
00:31:19,895 --> 00:31:23,813
THIS LITTLE FELLA JUST
HAPPENS TO BE MY STEPSON.

456
00:31:34,193 --> 00:31:36,526
<i>I ONLY SEE ONE GUARD.</i>

457
00:31:36,594 --> 00:31:38,895
YEAH. GUARDING WHAT?
THAT'S A GOOD QUESTION.

458
00:31:38,964 --> 00:31:41,014
JOHN HARDLY SEEMS
WORTH ALL THIS EFFORT.

459
00:31:44,636 --> 00:31:46,764
OKAY, WISE GUY, ON YOUR
FEET. COME ON. COME ON.

460
00:31:46,788 --> 00:31:49,022
HOWIE, IT'S JOHN RYDER.

461
00:31:50,659 --> 00:31:53,293
LISTEN, I'VE GOT A
PLAN, KID. OH, NO.

462
00:31:53,362 --> 00:31:56,146
HOW LONG WILL IT TAKE YOU
TO GET THAT CAR STARTED?

463
00:31:56,215 --> 00:31:59,365
FROM THE TIME I GET MY HANDS ON
THE IGNITION WIRES OR FROM NOW?

464
00:31:59,434 --> 00:32:01,534
FROM NOW. OH, 60 SECONDS.

465
00:32:01,603 --> 00:32:04,037
OKAY, GET GOING. HOWIE.

466
00:32:04,106 --> 00:32:07,991
LISTEN, COLT CAN'T HOLD OFF THE
WHOLE TOWN ALL DAY. COME ON.

467
00:32:14,282 --> 00:32:16,633
ALL RIGHT.

468
00:32:16,701 --> 00:32:20,021
<i>HE'S PRETTY LIVELY FOR SOMEONE THAT'S
JUST BEEN SHOT WITH A TRANQUILIZER DART.</i>

469
00:32:23,041 --> 00:32:26,977
HEY, KID, THE NEXT ONE WILL BE A BULLET
INSTEAD OF A TRANQUILIZER. NOW MOVE IT!

470
00:32:32,384 --> 00:32:37,053
WHAT THE... WILL! WILL!

471
00:32:38,323 --> 00:32:40,643
JOHN! JOHN, COME BACK HERE!

472
00:32:50,819 --> 00:32:54,020
COME ON! COME ON! GET
IN! IT'S FOR YOUR OWN GOOD!

473
00:32:55,090 --> 00:32:57,223
WE'RE HERE TO HELP YOU.

474
00:33:00,846 --> 00:33:02,846
LET'S GO.

475
00:33:04,666 --> 00:33:07,161
- IT'S THAT WAY.
- I THOUGHT THE GATE
WAS BACK THAT WAY.

476
00:33:07,185 --> 00:33:10,420
JODY, I TOOK CELESTIAL
NAVIGATION AT PRINCETON. JUST GO.

477
00:33:29,390 --> 00:33:31,435
<i>GET DOWN! THOSE GUYS
ARE ARMED TO THE TEETH.</i>

478
00:33:31,459 --> 00:33:33,627
HANG ON.

479
00:33:38,566 --> 00:33:40,750
HEY, YOU MIND IF I
ASK YOU A QUESTION?

480
00:33:40,818 --> 00:33:42,919
WHO ARE YOU GUYS?

481
00:33:52,981 --> 00:33:55,715
NICE WORK, JODY.
WE GOT AWAY CLEAN.

482
00:33:57,135 --> 00:34:00,531
WILL YOU QUIT SAYING THAT?

483
00:34:00,555 --> 00:34:04,007
WE'RE FINISHED. WE'LL
NEVER GET AWAY, ANY OF US.

484
00:34:04,075 --> 00:34:06,241
WHO ARE THOSE GUYS?
AND IF THEY'RE PROTECTING

485
00:34:06,265 --> 00:34:08,260
YOU, WHY ARE THEY
SHOOTING AT YOU AND US?

486
00:34:08,329 --> 00:34:11,431
THEY'RE NOT PROTECTING
ME... I'M THEIR PRISONER.

487
00:34:11,499 --> 00:34:15,702
HE'S DRUNK. NO, JUST A LITTLE
DRUGGED MAYBE FOR TRYING TO KILL HIM.

488
00:34:15,771 --> 00:34:18,705
HE DESERVES IT. WHO?
WHO DESERVES IT?

489
00:34:18,774 --> 00:34:22,175
NO, I CAN'T TELL YOU. IF YOU FIND
OUT, YOU'LL BE AS DEAD AS I AM.

490
00:34:22,243 --> 00:34:26,245
LOOK, JUST... JUST GET OUT OF HERE
AND LEAVE ME. THEY WON'T BOTHER YOU.

491
00:34:26,315 --> 00:34:29,433
BUT IT'S YOU WE WANT.

492
00:34:29,501 --> 00:34:32,685
<i>LOSE THOSE GUYS. LOOK, JUST
UP AHEAD THERE'S A HAIRPIN TURN.</i>

493
00:34:56,294 --> 00:35:00,613
NOW!

494
00:35:07,990 --> 00:35:12,008
BET THOSE GUYS ARE GONNA HAVE A HEADACHE
IN THE MORNING. LET'S GET OUTTA HERE.

495
00:35:23,655 --> 00:35:25,655
MR. MANNING, SIR.

496
00:35:25,724 --> 00:35:28,686
HEY, HOLD IT, NORRIS. SECRETS
AREN'T POLITE, YOU KNOW.

497
00:35:28,710 --> 00:35:30,760
IT'S PRIVATE.

498
00:35:30,829 --> 00:35:35,798
NO, NOW WAIT A MINUTE, FELLAS. WE
DON'T HAVE ANY MORE SECRETS, DO WE?

499
00:35:35,867 --> 00:35:39,119
HE'S RIGHT. GO ON, NORRIS. WELL,
THE SECURITY CHIEF JUST CALLED...

500
00:35:39,187 --> 00:35:41,354
AND SOMEBODY BROKE
IN AND BROKE OUT JOHN.

501
00:35:41,423 --> 00:35:44,857
HOW THE HELL DID THEY GET IN THERE, LET
ALONE BREAK OUT PAST ALL THOSE GUARDS?

502
00:35:44,927 --> 00:35:46,583
IT ISN'T CLEAR, BUT
THE GUARDS IN PURSUIT,

503
00:35:46,607 --> 00:35:48,367
THEY'LL CATCH HIM.
THEY'LL GET HIM FOR SURE.

504
00:35:48,397 --> 00:35:50,411
WAIT A MINUTE, FELLAS.
I'M STILL HERE. WHAT PLACE

505
00:35:50,435 --> 00:35:52,265
ARE WE TALKIN' ABOUT,
AND WHO'S CHASIN' WHO?

506
00:35:52,333 --> 00:35:56,335
WHOEVER BROKE IN IS NEVER
GONNA GET AWAY ALIVE. BELIEVE ME.

507
00:35:57,606 --> 00:36:00,122
MAYBE I DO.

508
00:36:00,191 --> 00:36:02,458
YOU DON'T LOOK SO
COCKY NOW, SEAVERS.

509
00:36:02,527 --> 00:36:06,346
<i>IF THOSE TWO WERE YOUR LITTLE
FRIENDS, THEY'RE IN A LOT OF TROUBLE.</i>

510
00:36:06,415 --> 00:36:09,131
- HOW MANY ARE CHASING 'EM,
NORRIS?
- TWO.

511
00:36:09,200 --> 00:36:11,985
BUT IT'S DETLAF AND NAYLON.

512
00:36:12,053 --> 00:36:15,188
AND THEY'RE ANIMALS, SEAVERS.

513
00:36:15,257 --> 00:36:17,392
I THINK WE OUGHT TO
START TALKING A DEAL IF

514
00:36:17,416 --> 00:36:19,726
YOU EVER WANT TO SEE
YOUR FRIENDS ALIVE AGAIN.

515
00:36:19,794 --> 00:36:22,896
<i>LISTEN TO HIM, MR. SEAVERS,
PLEASE. HE'S NOT BLUFFING.</i>

516
00:36:24,032 --> 00:36:26,065
WHAT KIND OF DEAL?

517
00:36:29,304 --> 00:36:33,539
WE'LL GIVE YOU $100,000 IF YOU BACK OFF AND
FORGET YOU EVER HEARD OF LUCKY, NEVADA.

518
00:36:33,608 --> 00:36:36,526
ARE YOU CRAZY?
$100,000 TO THIS...

519
00:36:36,594 --> 00:36:39,596
SHUT UP, BAKER. MR. SEAVERS
IS A MAN OF PRINCIPLE.

520
00:36:39,665 --> 00:36:42,381
HE'S NOT GONNA SELL
OUT FOR ANY PRICE.

521
00:36:44,319 --> 00:36:46,352
OKAY, NOW YOU'RE TALKIN'.

522
00:36:46,421 --> 00:36:49,388
FIRST THING YOU DO, YOU GET ON
THE HORN AND CALL OFF YOUR DOGS.

523
00:36:49,458 --> 00:36:52,136
ARRANGE FOR MY PEOPLE TO MEET
US SOMEPLACE... SOMEPLACE NEUTRAL.

524
00:36:52,160 --> 00:36:54,961
THE GORDON ESTATE.

525
00:36:56,080 --> 00:36:58,898
- THE GORDON ESTATE?
- YEAH.

526
00:36:58,967 --> 00:37:03,453
<i>YES, HE'S ONE OF THE TOWN'S
WEALTHIEST AND MOST UPSTANDING CITIZENS.</i>

527
00:37:03,521 --> 00:37:06,506
<i>HE'LL DO YOU NO HARM.</i>

528
00:37:06,574 --> 00:37:08,574
LET'S GO.

529
00:37:28,647 --> 00:37:31,430
<i>UH, MR. SEAVERS, YOU CAN
PUT AWAY YOUR GUN NOW.</i>

530
00:37:31,499 --> 00:37:34,300
WE'RE ALL QUITE WILLING
TO COMPROMISE WITH YOU.

531
00:37:34,369 --> 00:37:37,053
NO, THANKS. I LIKE
IT RIGHT WHERE IT IS.

532
00:37:37,122 --> 00:37:40,590
- HOW FAR IS IT
TO THIS GORDON ESTATE?
- JUST ABOUT 20 MINUTES.

533
00:37:40,659 --> 00:37:41,488
STEP ON IT.

534
00:37:41,512 --> 00:37:44,661
YES, SIR, MR. SEAVERS.
ANYTHING THAT YOU WANT.

535
00:37:50,685 --> 00:37:53,182
HOWIE, IF EVERYONE IN
TOWN IS IN ON WHATEVER

536
00:37:53,206 --> 00:37:55,555
THIS IS ALL ABOUT,
WHERE ARE WE GONNA GO?

537
00:37:55,623 --> 00:37:57,623
WE'RE GONNA GRAB
COLT AND BE ON OUR WAY.

538
00:37:57,692 --> 00:38:00,120
WAIT. YOU CAN'T JUST
LET 'EM GET AWAY WITH IT.

539
00:38:00,144 --> 00:38:02,511
- WITH WHAT?
- I KEEP TRYING TO TELL YOU.

540
00:38:02,580 --> 00:38:05,148
IF YOU FIND OUT WHAT'S GOING
ON, YOU'RE AS GOOD AS DEAD.

541
00:38:05,216 --> 00:38:08,167
<i>HOW DO YOU EXPECT US TO BELIEVE
YOU WHEN YOU WON'T TELL US ANYTHING?</i>

542
00:38:08,236 --> 00:38:10,314
I'M TRYING TO PROTECT YOU.
DON'T YOU UNDERSTAND THAT?

543
00:38:10,338 --> 00:38:13,556
WHO'S THE PRISONER HERE
ANYWAY? OH, WAIT A MINUTE. LOOK OUT.

544
00:38:16,995 --> 00:38:20,664
HOWIE, THAT WAS A POLICE CAR BACK
THERE. MAYBE WE SHOULD'VE FLAGGED IT DOWN.

545
00:38:20,732 --> 00:38:25,618
FORGET IT. THAT WAS SHERIFF BAKER.
HE'S AS MUCH OF A CROOK AS MY OLD MAN.

546
00:38:25,686 --> 00:38:27,763
YEAH, HE'S RIGHT. WE'RE
NOT STOPPING UNTIL

547
00:38:27,787 --> 00:38:29,989
WE GET TO THE O.K.
SALOON AND GAMING PALACE.

548
00:38:30,058 --> 00:38:31,958
SAY, WASN'T THAT A
CAR FROM THE ESTATE?

549
00:38:32,027 --> 00:38:34,489
MAYBE THEY COULD HAVE FILLED
US ALL IN ON WHAT HAPPENED.

550
00:38:34,513 --> 00:38:37,363
- HOW MUCH FURTHER?
- JUST ANOTHER 10 MILES.

551
00:38:37,432 --> 00:38:40,600
WELL, THEN WE'LL KNOW
SOON ENOUGH, WON'T WE?

552
00:38:42,220 --> 00:38:44,270
<i>♪♪</i>

553
00:38:48,843 --> 00:38:52,612
JOHN, YOU GET DOWN ON THE FLOOR. I'M
GONNA GO IN AND SEE IF I CAN GET COLT.

554
00:38:55,967 --> 00:38:58,051
<i>♪♪</i>

555
00:38:59,620 --> 00:39:02,121
YOU'VE GOTTA HELP ME. IT'S
A MATTER OF LIFE AND DEATH.

556
00:39:02,190 --> 00:39:04,190
LADY, I'VE GOT A STORY
THAT'LL BREAK YOUR HEART.

557
00:39:04,259 --> 00:39:06,870
IF YOU'RE LOOKING FOR YOUR FRIEND,
HE'S NOT THERE. THEY TRICKED HIM.

558
00:39:06,894 --> 00:39:10,229
THEY'VE TAKEN HIM OUT TO THE GORDON
ESTATE, AND HE'LL NEVER COME BACK.

559
00:39:11,966 --> 00:39:15,001
WE'VE GOT A PROBLEM.
TAKE ME WITH YOU.

560
00:39:15,070 --> 00:39:17,870
JOHN. OH.

561
00:39:19,441 --> 00:39:21,557
WELL, LET'S MOVE IT.

562
00:39:40,411 --> 00:39:41,845
DON'T SLOW DOWN
FOR THOSE GUARDS.

563
00:39:41,913 --> 00:39:43,541
IF I DON'T, THEY'RE GONNA SHOOT.

564
00:39:43,565 --> 00:39:46,282
TAKE YOUR PICK.

565
00:40:02,617 --> 00:40:05,479
THERE'S SO MANY GUARDS AROUND
THE ESTATE WE'LL NEVER GET IN.

566
00:40:05,503 --> 00:40:07,948
HEY, JACKIE, NEVER SAY
NEVER TO A STUNTMAN.

567
00:40:07,972 --> 00:40:11,040
IS THERE ANY PLACE HIGH ENOUGH FOR
US TO JUMP THIS CAR INTO THE COMPOUND?

568
00:40:11,108 --> 00:40:14,611
HOW HIGH DO YOU NEED? IF IT'S AN EIGHT-FOOT
FENCE, WE'LL NEED A THREE-FOOT RISE.

569
00:40:14,679 --> 00:40:17,030
AND ENOUGH ROOM TO GET UP TO 65.

570
00:40:17,098 --> 00:40:19,476
THERE'S A FIRE TRAIL
BEHIND THE HOUSE.

571
00:40:19,500 --> 00:40:23,218
IF YOU MAKE IT, WE'LL... WE'LL GAIN FIVE
MINUTES ON THEM AND BYPASS THE GUARDS.

572
00:40:23,287 --> 00:40:25,938
AND IF WE MISS,
WE'LL NEVER KNOW IT.

573
00:40:26,007 --> 00:40:27,990
I KNOW. YOU WISH COLT WERE HERE.

574
00:40:43,825 --> 00:40:47,309
<i>HE CAME TO US IN A NIGHTMARE
MORE THAN SIX YEARS AGO.</i>

575
00:40:47,378 --> 00:40:50,479
LITERALLY, A MAN OUT OF THE SKY.

576
00:40:50,548 --> 00:40:55,018
- <i>BEARING GIFTS.</i>
- A HUNDRED MILLION DOLLARS.

577
00:40:56,755 --> 00:40:59,088
THE HIJACKER THEY NEVER FOUND.

578
00:40:59,157 --> 00:41:01,457
FELL INTO MY BACKYARD.

579
00:41:01,526 --> 00:41:07,263
AND SO BEGAN THE SEDUCTION OF A
VERITABLE GHOST TOWN CALLED LUCKY, NEVADA.

580
00:41:11,269 --> 00:41:13,986
<i>I PRESUME THIS IS MR. SEAVERS.</i>

581
00:41:14,055 --> 00:41:18,374
MR. SEAVERS CAME
TO GET MY STEPSON.

582
00:41:18,443 --> 00:41:21,744
YOU KNOW WHY WE COULDN'T LET
HIM BE TAKEN BACK TO LOS ANGELES.

583
00:41:22,914 --> 00:41:26,148
YOUR STEPSON WAS
FOOLISH ENOUGH...

584
00:41:26,217 --> 00:41:32,288
TO TRY TO KILL ME BY TERMINATING
MY LIFE-SUPPORT SYSTEM.

585
00:41:32,356 --> 00:41:35,558
HOW DID A MAN IN HIS CONDITION
GET CONTROL OF ALL YOU PEOPLE?

586
00:41:35,627 --> 00:41:38,211
WELL, IT DIDN'T HAPPEN
ALL AT ONCE, SEAVERS.

587
00:41:38,279 --> 00:41:42,815
FARR CAME TO ME AND TOLD ME HE FOUND
THE MAN THE WHOLE COUNTRY WAS LOOKING FOR.

588
00:41:42,884 --> 00:41:45,551
THE MAN MADE AN
IRRESISTIBLE OFFER.

589
00:41:45,620 --> 00:41:48,505
<i>WE WERE TO GET ALL THE MONEY
HE'D HIJACKED FOR SUPPLYING HIM...</i>

590
00:41:48,573 --> 00:41:51,508
<i>WITH A LIFE-SUPPORT
SYSTEM WITHIN THIS FORTRESS.</i>

591
00:41:51,576 --> 00:41:55,294
<i>DOC TURLOCK CAME IN AND AGREED
TO HELP PATCH UP MR. GORDON.</i>

592
00:41:55,363 --> 00:41:57,363
WHEN HE SAW HIM, HE
COULDN'T BELIEVE IT.

593
00:41:57,432 --> 00:42:01,283
HE SAID JUST ABOUT EVERY BONE
WAS BROKEN IN THAT MAN'S BODY.

594
00:42:03,287 --> 00:42:06,539
THE TOP OF THE POINT A MILE AHEAD
WILL PUT YOU RIGHT INTO THE COMPOUND.

595
00:42:06,608 --> 00:42:11,577
BUT YOU'RE GONNA HAVE TO VEER TO THE RIGHT,
OTHERWISE YOU'LL END UP IN THE HOUSE.

596
00:42:11,646 --> 00:42:13,997
I KNOW WHAT YOU'RE
THINKING, AND DON'T THINK IT.

597
00:42:14,065 --> 00:42:17,400
- HEY, WHAT WOULD COLT DO?
- HE'D THINK OF A BETTER WAY.

598
00:42:17,468 --> 00:42:20,385
<i>AND IF HE COULDN'T
THINK OF A BETTER WAY?</i>

599
00:42:20,454 --> 00:42:23,856
IF YOU'RE GONNA MAKE A DEAL WITH THE
DEVIL, WHY'D YOU BOTHER KEEPING HIM ALIVE?

600
00:42:23,925 --> 00:42:26,258
WHY DIDN'T YOU JUST TAKE
THE MONEY AND LET HIM DIE?

601
00:42:27,962 --> 00:42:30,262
IN THE FIRST PLACE, MR. SEAVERS,

602
00:42:30,332 --> 00:42:33,411
WHILE WE MAY HAVE BEEN VULNERABLE TO
THE TEMPTATION OF MILLIONS OF DOLLARS...

603
00:42:33,435 --> 00:42:37,119
TO BE HAD FOR THE ASKING, WE
WERE NOT AND ARE NOT KILLERS.

604
00:42:41,826 --> 00:42:47,780
OH, WE MAY HAVE SOLD OUR
SOULS, BUT WE GOT WHAT WE WANTED.

605
00:42:47,849 --> 00:42:50,716
WE'RE ALL RICH, AND HE'S SAFE,

606
00:42:50,785 --> 00:42:55,871
AND HE'S COMPLETELY SECURE AND INSULATED
FROM THE POSSIBILITY OF ANY OUTSIDE ATTACK.

607
00:42:55,940 --> 00:42:58,808
HOW WAS IT THAT WE WERE
ABLE TO WALK RIGHT IN?

608
00:43:01,128 --> 00:43:06,098
I WANTED TO NEGOTIATE WITH
YOU PERSONALLY, MR. SEAVERS.

609
00:43:06,167 --> 00:43:11,070
SO ALL I HAVE TO DO IS TELL YOU
MY PRICE, AND I CAN BE ON MY WAY?

610
00:43:11,139 --> 00:43:14,940
NO. FIRST, YOU'LL DELIVER
JOHN RYDER TO ME.

611
00:43:15,009 --> 00:43:18,077
WELL, I'M AFRAID THAT ONE'S
GONNA BE A LITTLE HARD.

612
00:43:18,146 --> 00:43:21,563
- I DON'T HAVE HIM.
- BUT YOUR ASSOCIATES DO.

613
00:43:24,401 --> 00:43:27,169
OKAY, LET'S SAY I CAN GET
MY CREW TO BRING HIM IN.

614
00:43:27,238 --> 00:43:29,271
WHAT ARE YOU GONNA DO TO HIM?

615
00:43:29,340 --> 00:43:33,642
NOTHING. WE'RE NOT
KILLERS, MR. SEAVERS.

616
00:43:33,711 --> 00:43:37,746
WE SIMPLY CANNOT ALLOW HIM TO LEAVE THIS
COMPOUND AND TELL THE WORLD WHAT HE KNOWS.

617
00:43:37,815 --> 00:43:42,084
SO, UH, HE WOULD LIVE HERE
FOR THE REST OF HIS LIFE?

618
00:43:42,153 --> 00:43:45,021
OR UNTIL MINE EXPIRES.

619
00:43:45,090 --> 00:43:47,123
THAT SEEMS FAIR
ENOUGH TO ME, BUT, UH...

620
00:43:47,192 --> 00:43:50,125
WHY DON'T WE PAY ME MY
MONEY AND LET ME BE ON MY WAY?

621
00:43:50,194 --> 00:43:54,930
NO. I'M AFRAID YOU'RE
MY HOSTAGE, MR. SEAVERS,

622
00:43:54,999 --> 00:43:58,100
TO ASSURE YOUR FRIENDS
COMING BACK FOR YOU WITH JOHN.

623
00:43:58,169 --> 00:44:02,138
I WAS AFRAID YOU
WERE GONNA SAY THAT.

624
00:44:02,206 --> 00:44:04,907
I'M NOBODY'S HOSTAGE.

625
00:44:16,003 --> 00:44:18,921
YOU BETTER DROP
THE GUN, MR. SEAVERS.

626
00:44:23,862 --> 00:44:26,729
<i>I THINK YOU SPOKE
A LITTLE TOO SOON.</i>

627
00:44:26,798 --> 00:44:28,831
NOW WHAT HAPPENS?

628
00:44:28,900 --> 00:44:32,434
<i>NOW WE WAIT FOR YOUR
FRIENDS TO TRY TO RESCUE YOU.</i>

629
00:44:35,189 --> 00:44:38,491
EXACTLY WHERE DOES HE CONTROL EVERYTHING
FROM, JOHN? <i>THE CENTER OF THE HOUSE.</i>

630
00:44:38,559 --> 00:44:41,144
BUT LIKE I TOLD YOU,
WE CAN'T GET TO IT...

631
00:44:41,212 --> 00:44:43,457
UNTIL WE FIGURE OUT SOME
WAY TO OVERPOWER THE GUARDS.

632
00:44:43,481 --> 00:44:45,743
HOW FAR IS THE HOUSE
FROM THE JUMP-OFF POINT?

633
00:44:45,767 --> 00:44:47,911
FIFTY FEET. OH,
YOU'LL NEVER MAKE IT.

634
00:44:47,935 --> 00:44:50,502
<i>WE MIGHT IF WE REDLINE IT.</i>

635
00:44:50,571 --> 00:44:52,855
OH, I WISH COLT COULD SEE THIS.

636
00:44:52,924 --> 00:44:56,025
WITH A LITTLE LUCK, HE WILL.

637
00:44:56,094 --> 00:44:58,494
YOU KNOW, I DON'T LIKE TO
TELL YOU FOLKS YOUR BUSINESS,

638
00:44:58,563 --> 00:45:00,863
BUT MY FRIENDS ARE
ON THE YOUNG SIDE...

639
00:45:00,932 --> 00:45:02,932
KIND OF WILD, IF YOU
KNOW WHAT I MEAN.

640
00:45:03,000 --> 00:45:06,319
- WHAT DO YOU SUGGEST,
MR. SEAVERS?
- JUST WANT YOU TO UNDERSTAND...

641
00:45:06,387 --> 00:45:09,154
THAT WE DO A LOT OF
CRAZY THINGS IN THE MOVIES.

642
00:45:10,774 --> 00:45:13,258
MY FORTRESS IS IMPENETRABLE.

643
00:45:13,327 --> 00:45:15,144
HANG ON.

644
00:45:36,667 --> 00:45:40,085
NOW DON'T FEEL BAD,
MR. GORDON. NO PLAN IS PERFECT.

645
00:45:40,154 --> 00:45:43,754
ESPECIALLY WHEN YOU'RE DEALING
WITH SOMEBODY AS CRAZY AS A STUNTMAN.

646
00:45:57,055 --> 00:46:00,100
IF JOHN RYDER WAS SO DARN
HONEST THAT HE COULDN'T FACE...

647
00:46:00,124 --> 00:46:01,902
WHAT EVERYONE WAS
DOING UP IN LUCKY,

648
00:46:01,926 --> 00:46:05,995
THEN HOW COULD HE JUSTIFY
RUNNING AWAY USING FORGED CHECKS?

649
00:46:06,064 --> 00:46:09,098
JOHN RYDER NEVER
FORGED A CHECK IN HIS LIFE.

650
00:46:09,166 --> 00:46:12,134
REMEMBER, THE CHECKS WERE
DRAWN ON HIS STEPFATHER'S OWN BANK.

651
00:46:12,203 --> 00:46:15,170
<i>MEANING THE OLD MAN USED JOHN'S
TRAIL OF CHECKS TO LOCATE HIM.</i>

652
00:46:15,239 --> 00:46:18,335
<i>THEN HE REPORTED THEM AS FORGERIES TO
THE AUTHORITIES SO THAT THEY'D HOLD HIM...</i>

653
00:46:18,359 --> 00:46:21,427
UNTIL HE COULD SEND
SOMEBODY OUT TO BRING HIM BACK.

654
00:46:21,496 --> 00:46:24,697
THEN WHY DIDN'T HE SIMPLY TELL
THE AUTHORITIES WHAT HAD HAPPENED?

655
00:46:24,765 --> 00:46:27,316
WELL, HE COULDN'T... NOT WITHOUT
TELLING THE WHOLE STORY...

656
00:46:27,384 --> 00:46:31,153
AND SENDING PEOPLE TO JAIL THAT HE CARED
ABOUT, INCLUDING HIS GIRLFRIEND'S FATHER.

657
00:46:31,222 --> 00:46:33,789
HER FATHER? WELL, HOW
DID HE FIGURE IN THIS?

658
00:46:33,858 --> 00:46:35,992
THAT WAS THE DOCTOR THAT
PUT GORDON BACK TOGETHER.

659
00:46:36,060 --> 00:46:39,639
SHOULDN'T THERE BE SOME REWARD MONEY
WE CAN GET OUR HANDS ON? NOT NECESSARILY.

660
00:46:39,663 --> 00:46:42,631
ALL THE MONEY HAS BEEN SPENT.
UNLESS, OF COURSE, YOU'D LIKE TO INVEST...

661
00:46:42,700 --> 00:46:47,653
IN A SMALL PIECE OF PROPERTY
IN LUCKY, NEVADA. <i>TOO LATE.</i>

662
00:46:47,722 --> 00:46:51,023
I GAVE WHATEVER INTEREST WE MIGHT
HAVE IN THAT DEAL TO JOHN AND JACKIE.

663
00:46:51,092 --> 00:46:53,904
YOU GAVE OUR INTEREST AWAY?
MAY I REMIND YOU ALL I'M THE ONE...

664
00:46:53,928 --> 00:46:55,833
WHO DROVE THE CAR THROUGH
THE HOUSE, WHICH MADE

665
00:46:55,857 --> 00:46:57,663
IT POSSIBLE TO PUT THAT
MAN OUT OF BUSINESS?

666
00:46:57,732 --> 00:47:01,784
<i>WELL, MAY I REMIND YOU WHO IT WAS THAT PUT
ME OUT OF BUSINESS A COUPLE OF DAYS AGO?</i>

667
00:47:01,852 --> 00:47:04,887
I THOUGHT YOU HAD AN
ACCIDENT, COLT. HE DID.

668
00:47:04,956 --> 00:47:06,989
HOWIE, WHAT HAPPENED?

669
00:47:07,058 --> 00:47:09,403
YOU HAVE TO EXPECT A FEW
ACCIDENTS IN OUR BUSINESS. HOWIE.

670
00:47:09,427 --> 00:47:11,861
YOU WOULDN'T WANT ME TO GO
BACK ON A CONFIDENCE WITH COLT?

671
00:47:11,930 --> 00:47:13,963
UH-HUH. COLT.

672
00:47:14,032 --> 00:47:17,033
<i>OKAY, KID, I'LL TAKE YOU
OFF THE HOOK.</i> THANKS, COLT.

673
00:47:17,101 --> 00:47:20,069
GO AHEAD AND TELL
HER WHAT HAPPENED.


